Use impulse responses

Space Designer can use either recorded impulse response files or synthesized impulse responses. The Sampled IR and Synthesized IR buttons above the main display switch the impulse response mode.

Important: To convolve audio in real time, Space Designer must first calculate any parameter adjustments to the impulse response. This requires a moment or two following parameter edits and is indicated by waveform changes in the main display.

Figure. Sampled IR mode, showing full interface.

Impulse response parameters

Several related parameters are shown below the main display.

Use Sampled IR mode

In Sampled IR mode, Space Designer loads and uses an impulse response recording of an acoustic environment. This is convolved with the incoming audio signal to place it in the acoustic space provided by the impulse response.

Figure. IR Sample pop-up menu and Display mode bar buttons.
  1. Click the Sampled IR button above the main display.

    When you first click the Sampled IR button, a Load impulse response window opens.

  2. Choose an impulse response file from any folder.

Manage the loaded impulse response file

All factory impulse responses are installed in the /Library/Audio/Impulse Responses/Apple folder. Deconvolution files have an .sdir file extension.

Any mono or stereo AIFF, SDII, or WAV file can be used as an impulse response. In addition, surround formats up to 7.1, discreet audio files, and B-format audio files that consist of a single surround impulse response can be used.

Use Synthesized IR mode

In Synthesized IR mode, Space Designer generates a synthesized impulse response based on the values of the Length, Envelope, Filter, EQ, and Spread parameters.

Note: You can switch between a loaded impulse response sample and a synthesized impulse response without losing the settings of the other.

Figure. Synthesized IR Display mode bar.

Set the impulse response sample rate and preserve length

Changing the sample rate upward increases—or changing it downward decreases—the frequency response (and length) of the impulse response, and to a degree the overall sound quality of the reverb. Upward sample rate changes are of benefit only if the original impulse response sample actually contains higher frequencies. When reducing the sample rate, use your ears to decide if the sonic quality meets your needs.

Note: Natural room surfaces—except concrete and tiles—tend to have minimal reflections in higher frequency ranges, making half-rate and full-rate impulse responses sound almost identical.

Impulse response parameters in the global controls section.

Set impulse response lengths

Impulse response parameters in the global controls section.